Among all objects of design, our clothes are the most universal and intimate. Like other kinds of design, fashion thrives on productive tensions between form and function, automation and craftsmanship, standardization and customization, universality and self-expression, and pragmatism and utopian vision. It exists in the service of others, and it can have profound consequences—social, political, cultural, economic, and environmental.
Fashion as Design focuses on a selection of more than 70 garments and accessories from around the world, ranging from kente cloth to jeans to 3D-printed dresses. Through these garments, we’re going to look closely at what we wear, why we wear it, how it’s made, and what it means. You’ll hear directly from a range of designers, makers, historians, and others working with clothing every day—and, in some cases, reinventing it for the future. Studio visits, interviews, and other resources introduce the history and development of each garment and their changing uses, meanings, and impact over time.
WEEK 1 : Introduction
WEEK 2 : Heroes
Wearing certain garments can inspire heroic transformations, while heroes can elevate everyday clothing to iconic status. In this module, you will discover the relationship between aspiration, achievement, adulation, and attire through a wide range of heroes—and even imagine yourself as a space hero in the future.
WEEK 3 : Silhouettes
When we put on clothes, we change the shape and outline of our bodies—sometimes profoundly. The silhouettes we adopt are determined by everything from shifting trends in fashion to what looks and feels good. This week, we explore how clothes shape the body and how cultural constructions of the body shape clothes.
WEEK 4 : Coutures
The French word couture means "dressmaking" or "sewing,” and often refers to one-of-a-kind, primarily handmade garments intended for a specific individual. This module approaches couture from a broader perspective, exploring the complex processes—from traditional handcrafting to the use of new technologies—that go into the making of high-end and everyday garments.
WEEK 5 : Lifecycle
This module examines the lifecycle of garments, an often overlooked aspect of fashion that many individuals and companies are addressing with growing urgency. How do garments begin, how do they end, and how does the cycle of production, consumption, and disposal impact the world?
WEEK 6 : Modesty
Modesty has many varied expressions that can be informed by social, religious, or political identifications, as well as by personal choice. But whether covered up or exposed, our bodies are often battlegrounds for continually shifting societal claims around morality, agency, and etiquette.
WEEK 7 : Expression
What we wear and how we wear it can communicate messages, create group identification, borrow and remake existing styles, or subvert a garment’s traditional associations. While choosing and wearing clothes is an act of personal expression, it is also a response to many of the topics addressed in the preceding weeks of this course. In this final week, we look at the ways in which clothing allows us to feel connected to others and to stand out.
Paola Antonelli, Senior Curator, Department of Architecture & Design, and Director, Department of Research & Development
Department of Architecture & Design
Enseigné par : Michelle Millar Fisher, Curatorial Assistant
Department of Architecture and Design
Enseigné par : Stephanie Kramer, Research Assistant
Department of Architecture & Design
Coursera est une entreprise numérique proposant des formation en ligne ouverte à tous fondée par les professeurs d'informatique Andrew Ng et Daphne Koller de l'université Stanford, située à Mountain View, Californie.
Ce qui la différencie le plus des autres plateformes MOOC, c'est qu'elle travaille qu'avec les meilleures universités et organisations mondiales et diffuse leurs contenus sur le web.