Art and Design in the Digital Age

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Course
en
English
48 h
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  • From www.edx.org
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  • 12 Sequences
  • Intermediate Level
  • Starts on March 2, 2021
  • Ends on April 20, 2021

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Course details

Syllabus

Week 1: Historical & Theoretical Tangents between Art and Technology

  • Definitions of art and technology & how they could be the same?
  • Art & Technologies interlinked: from cave paintings to the modern age
  • Setting the fence between art and technology: a conceptual ridge
  • Art and technology in the Renaissance
  • Photography's early histories

Week 2: Art as Media as Language

  • Art as media: How are can be defined a communication media? Or a language?
  • Nelson Goodman's theory of Digital and Analogue
  • The Technology of Notation and Music
  • The History of Music Technology and its Implications in the Digital Age

Week 3: Art at the Turn of The Mechanical Age

  • The meaning of images post WWW2
  • The contemporary meaning of images in relation to technological development
  • Revising Walter Benjamin's and John Berger's Ways of Seeing
  • The work of Culture in the age of Cybernetic Systems
  • The evolution of the moving image
  • Avant Garde movements and the moving image
  • Old cinema and new media art: video installations and new media technologies in the gallery space.

Week 4: After Photography

  • Learn about the 4 industrial and technological evolutions
  • Agency, The emancipation of the spectator and free will in a world governed by machines
  • From mechanisms of chance in art to mass customisation in design
  • Critical encounters between art and technology: early experiments with computers

Week 5: How to think about Technology & Mid Course Assessment

  • Self-Assessment mid-course
  • 6 approaches towards the critique of media and technology in the digital age

Week 6: Art and the Internet

Net.Art

  • Tactical Media and subversion
  • Google: technological and informational biases
  • The conundrum of privacy in the digital age: We live in Public
  • Strategies to cope with surveillance capitalism: how not to be seen and obfuscation

Week 7: Digital Aesthetics

  • The Cut & Paste aesthetics and the remix culture
  • Time and space in the digital age: how to re-read spatio-temporal perceptions. After Paul Virillio and Katherine Hayles
  • The selfie and the narcissistic and exhibtitionary complexes of social media

Week 8: Digital Futures

  • Truth, Fiction and Virtual Realities
  • The Internet of Things
  • Object/subject relationship in virtual realities
  • Performance and virtual reality
  • Posthumanism and the anteoposcene
  • The myth of immateriality
  • Ability, disability, super ability

Prerequisite

No previous knowledge required, however mostly recommended for those who have a first degrees in the relevant topics: art, art history, design.

Instructors

Lee Weinberg
Dr
IsraelX

Platform

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